Obviously they had to leave otherwise their lives would be at danger but I often think… was it really necessary to leave our heritage and culture behind. Couldn’t we just have kept it wherever we went???? Now do I have to carry this task on reclaiming our heritage for my children? Maybe if they did keep their roots, I wouldn’t have to go through difficulty getting in touch with my culture. My Grandmothers father was said to be a Mughal descendant. I don’t know much about him although I do know there is a sad family story. My grandmothers great grandparents were high class Mughuls in Delhi (1850’s). When the Baby Yoda Starbucks because 2020 sucks shirt in contrast I will get this Indian Mutiny took place they ran and fled because the British would kill any Mughul they could find. They hid in mosques and everything and eventually settled in Rawalpindi. They had a son who then unfortunately died in a market shooting rampage at around 21 years old. He died before my grandmothers father was born. Then my great grandfathers mother passed away when he was a young child. We grew up very poor, but living on a dairy farm, we were never lacking for food. A good year for Christmas might mean getting some socks, underwear, an orange a treat, and maybe a toy. Clothes and other practical items were typical gifts. We were lucky to get a birthday cake – no birthday gifts. Hand-me-down clothing was the norm. Nothing was thrown away until it was used, abused, and destroyed. Then my mother would cut it up and use it to make quilts. I remember a time in the 1960s when muscle shirts were in fashion. Three of my older brothers each got one. I wore those hand-me-down shirts for about 5 years, growing out of one size then moving on to the next size. They looked something like this, but not as stylish. As another person commented, we all learned to eat fast because if you wanted a second helping of anything, you better eat what you have quickly and grab the bowl for seconds. In our case, we also had to finish dinner and get out to the barn to milk the cows and do our chores. The sooner you got the work done, the sooner you could do your homework, and then maybe get an hour or two in front of the black and white TV.While some cities are starting to reopen in wake of the COVID-19 pandemic, people around the country are continuing to wear masks in public and practice social distancing. Vogue is committed to staying safe, and offering hopeful, optimistic content that highlights moments of camaraderie and exceptional acts of heroism from around the world. We are all looking for a little comfort too—be it a soothing Instagram account or a stylish creator on TikTok. It reminds us of the power of little things. To that end, we have searched the web for things to brighten up your summer days ahead. Summer’s heating up! With August around the corner and temperatures on the rise, the time is now to break out easy, sweet summer dresses if you haven’t already. After months of casual stay at home attire (shout out to our most loyal sweatpants and pajamas), the need for easy, stylish, single item outfits are more essential than ever. Once the perfect solution for packing, traveling or heading to the office, a summer dress can still be your go-to this season, whether you have your first Zoom wedding celebration to a virtual BBQ, or perhaps a walk through the park. From nightgown inspired house dresses, to floaty floral frocks, to simple white dresses, or a good old fashion sundress, consider picking up a few of the best summer dresses to live in all season long inside and out. The greatest part? They all clock in at $300 or less. A simple white dress might not seem like much, but the perfect one can be a cure-all for summer style problems. Not only are they appropriate for just about every summer occasion, but these puff sleeve and poplin versions have also been dubbed as summer’s unofficial uniform after all—except if you’re a virtual wedding guest, of course. From mini to midi dresses, these white day dresses allow for endless accessorizing options. Just swap your footwear, and top it off with a summer bag of your choosing, and your white dress will feel like new every time. Calling all prairie dress fans, this summer, nightgown-inspired dresses are for you. For an easy transition out of pajamas into something that’s arguably more comfortable and certainly cute, drift away in the sweet and dainty floral prints of these house dresses, in both long and short silhouettes. Complete with ruffle capped sleeves, lace, and round necklines tied up in a bow,
Baby Yoda Starbucks because 2020 sucks shirt, hoodie, tank top, sweater and long sleeve t-shirt
Wrap dresses have always been a workday and weekend staple, but this summer the Baby Yoda Starbucks because 2020 sucks shirt in contrast I will get this silhouette feels even more in touch with staying home than ever. This season wrap yourself up in one of these summery styles that go beyond the boudoir, despite being very similar to a luxe bathrobe. With their billowy sleeves and loose ties you won’t want to wear anything else. Plus, these comfy tie-front dresses make for a solid cover-up option. Move over midis, maxi dresses are the new cool length. You won’t feel overdressed while floating around this summer in one of these multi-tiered options in low-key colors and daytime florals. You’ll want to reach for one of these floor grazing lengths for practically any occasion from bike rides or days at the beach (we can dream!), to virtual sunset cocktails or even FaceTime dates. Experiencing fashion digitally isn’t new—Helmut Lang sent around a CD-ROM in 1998, Style.com was founded in 2000, and Alexander McQueen organized the first livestream in 2009. But a digital-only Fashion Week without the chaos and community of physical events is new territory for the industry. Over the past two months, Vogue Runway has chronicled the many ways brands are reacting, from minimal look books, artful videos, and 12-hour streams to “phygital” events. Now, as we turn our eye to September, where physical and digital will continue to merge in New York, London, Milan, and Paris, our cast of critics is shares the highs, lows, and challenges of a virtual Fashion Week. I said it before—it feels as if the presentation of fashion is undergoing as big a shift as Hollywood did when it went from silent movies to the talkies. One thing the pandemic has done is to force creative directors to be more creative about what they want to say about their work, and I’m all for that. With the whole (limited) playbook of runway gatherings and glamorous shoots suddenly torn up, fashion is suddenly crossing the threshold of a vast new era of communication, so that far more interesting, honest, in-depth, and delightful things have been happening than could ever be conveyed by models walking back and forth in front of a crowd of seated people. There’s no way of lumping Loewe, Balmain, Maison Margiela, Dior Men, and Gabriela Hearst into one group, but in this fraught and fragile time, each of them succeeded in evoking emotions, sharing beliefs, and bestowing those rarest of luxuries—the involuntary urge to smile and the opportunity to think and learn.